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tv   [untitled]    October 26, 2011 9:00am-9:30am PDT

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[unintelligible] we're going to win we will get health care -- our dog they health care -- the adult day health care -- is our right -- get out of our way -- give it back to us -- everywhere i go -- people want to know -- who we are -- so i tell them -- we are the seniors -- mighty mighty seniors -- and we will win --
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and dold de health care -- an adult day health care ♪ [cheers and applause] all right, james is going to tell us exactly what we are going to do. we're going to walk over there. we're going to meet in the room. he will tell you which one. and then we are going to see the governor's people. are you with me? i cannot hear you. are you with me? >> [crowd] yes. >> all right. >> all right. you see that building over there? that would be the governor's building. the governor has an office over there. so everybody who can make it over there, and if you're in a van, then we'll take you up over there, let's follow henny right
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across the street to let the governors know that we needed to stop the elimination of adult day health care, right? so follow henny. so follow henny. hey, mark. hey, mark. hey. where've you been? i lost my cat. aw. that's not right. yeah. so i made this cat magnet to try and get him back. cool. does it work? kinda. [meow] nice. yeah. but that's not my cat. i gotta keep working on it. see ya see ya. see ya. announcer: anything's possible, keep thinking. get started on your own inventions or just play some games at...
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>> i am the director of visual arts programming at intersection for the arts. intersection for the arts is based in san francisco and has
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always been an organization that looks at larger social political issues through the lens of practice, and we are here today at our exhibition of "chico and chang." the original inspiration was drawn from a restaurant chain in new york city. half of their menu is -- what struck me was the graphic pictures and a man in a hat on a rig truck carrying take that time is containers and in the black sea to representation of a mexican guy wearing a sombrero and caring a somali horn. it struck me that these two large, very subversive complex cultures could be boiled down to such simple representations. chico and chang primarily looks
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at four topic areas. one of the man was is whose stories are being told and how. one of the artisans in the show has created an amazing body of work working with young adults calling themselves the dreamers. another piece of the exhibition talks about whose stories of exhibition are actually being told. one artist created a magnificent sculpture that sits right in the center of the exhibition. >> these pieces are the physical manifestation of a narrative of a child in memory. an important family friend give us a dining table, very important, and we are excited about it. my little brother and i were 11, 14. we were realizing that they were kind of hand prints everywhere on the bottom where no one would really see, and it became this kind of a weakening of what
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child labor is. it was almost like an exercise to show a stranger that feeling we had at that moment. >> the second thing the exhibition covers is how the allocation is defined, a great example on the theme, sculpture called mexicali culture. another bay area artist who has done residencies in china and also to what, mexico. where immigrant communities really helped define how businesses look of a business' sign age and interior decoration, her sculptural piece kind of mismatches the two communities together, creating this wonderful, fantastical future look at what the present is today.
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first topic is where we can see where the two communities are intersecting and where they start colliding. teresa fernandez did a sculptural installation, utilizing the ubiquitous blue, white, and read patterns of a rayon bag that many communities used to transport laundry and laundromats to buy groceries and such. she created a little installation kind of mucking up the interior of a household, covering up as many objects that are familiar to the i and the fabric. fourth area of investigation that the exhibition looks at is the larger concerns of the asian and latin communities intersecting with popular cultur one best example -- when he's exemplified is what you see when you enter into the culture.
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>> this piece refers to restaurants in tijuana. when you are driving, to speak chinese and you read chinese characters. you see these signs. i was trying to play with the idea of what you see and the direction you read. when you start mixing these different groups of people, different cultures, i like the idea. you can comment on somebody else's culture or someone else's understanding about culture. >> one of the hopes we have for visitors is that they go away taking a better understanding with the broadest and the breadth of issues impacting both the asian and latin communities here in california and how they
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spell out into the larger fabric of the communities we live and work in.
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